Kaush

Research essays · Space & food

Alimentary Tectonics

The kitchen as political and social core, starting from a carrot.

2015 – 2016Year
Research essays & digital studyType
Kitchen · carrot · textureContext
Food & architectureTheme

The kitchen as political and social core: architecture through the temporal sequence of the feast, and the dining ritual reclassified as a spatial and choreographic event. Two essays and a study, starting with a carrot.

“There are only two efficient ways to do this. One is for you to walk out in your garden, pull a carrot and eat it.”

Joel Salatin, farmer, Shenandoah Valley

Carrots come in more colours than orange. Pick one.

Essay · 26.10.2015

A carrot.

All agriculture is at its heart a business of capturing free solar energy in a food product that can be turned into high-value human energy. A carrot pulled from the garden is a direct transfer of solar energy to human energy.

Before we made food the business, the fancy and the status choice, it was a discoverer’s arena. In this, the cultivated edible root should be counted among the first revolutionary human innovations for contributing to “food”. It would not be wrong to compare this to using the underground not as mere foundation but as a usable space.

The earliest vegetable definitely known to be a carrot dates from the 10th century in Persia and Asia, and was quite unlike today’s orange root. Carrots were originally purple or white with a thin root; a mutant then removed the purple pigment, producing yellow carrots, from which orange carrots were developed. Carrots appear in many great artworks and even helped plant biologists identify old species when paintings were the only records. They are evidence that the Dutch developed the orange-rooted carrot. Today it is the second most popular vegetable in the world after the potato, and the most important root vegetable of temperate regions.

Dioscorides wrote: “Ye root ye thickness of a finger, a span long, sweet-smelling, edible being sodden.” The Greek Herbal of Dioscorides, illustrated in Byzantium in A.D. 512, already refers to the orange carrot.

Be it the Eastern carrot with purple or yellow roots, or the Western carotene carrot with orange, red or white roots, chefs and households have explored this ingredient for juices, salads, soups and sweet dishes. Each market segment of the global carrot industry has its own requirements, and coloured varieties are gaining popularity again.

Carrots are available all the time in the grocery store, and they’ll always look and taste the same. But when you grow them yourself, you’ll notice their character changes with the seasons.

Dan Barber

Using the same context for the expression of a city: unless one knows the how and why of a space that is made and made available to be bought, there is only that “normal” space, and no thought for all that goes behind it. Or a carrot, in this case.

Sources: Michael Pollan, The Omnivore’s Dilemma (2006). The Greek Herbal of Dioscorides. Dan Barber, Fine Cooking (2010).

Study · 2015

Micro-cosmos: a carrot under the microscope.

Tracing the origin of textures from a microscopic study of the growth pattern of a carrot. The explorations exposed the variant nature of food, which transforms in stages of growth, in cooking and finally in the aestheticised plated dish. The research question: how to interpret sensual aesthetics in the digital.

320 textures, eight zones

  1. 001–040Centre 01
  2. 041–080Centre 02
  3. 081–120Centre 03
  4. 121–160Centre 04
  5. 161–200Edge 01
  6. 201–240Edge 02
  7. 241–280Edge 03
  8. 281–320Edge 04

Tools

  • Sculptris
  • ZBrush
  • Processing
  • Quick 3D scanning
  • KeyShot 5.0
  • V-Ray

Keywords

  • Textured surfaces
  • Speculative research
  • Graphic space
  • Digital sculpting
  • Sensual aesthetics

By unfolding the materiality of the elements that make up a food transformation, matter, computation and aesthetics, and understanding their temporality, the research seeks a new framework for sequenced composition, choreography and effects in design.

Essay · 02.11.2015

The kitchen as a political and social theatre.

The kitchen, or the backstage pass: everyone now knows it is the epitome of cool. Being allowed backstage is the hallmark of intimacy and equality.

Staying out of the kitchen feels both overly entitled and overly restrictive. Meanwhile the hosts keep pushing guests to the living room, insisting they sit back and enjoy the show, wondering why anyone would prefer the recycling and leftovers to the seasonal flowers and ambient lighting.

At a public discussion on the kitchen, one theme kept arising in many guises, hidden in every question and comment: the kitchen has a much bigger role to play within a campus, be it domestic, institutional or an office canteen. As one speaker said, “Someone open the door of the kitchen and take a look what’s happening there.” The role of the kitchen, and how we recognise it, has changed dramatically.

Over the years the kitchen has become the core of the house for snacking, eating, gathering and talking. Its format has moved from small, basic kitchens to large ones with islands, multiple sinks, fancy lighting and beautiful appliances. What remains is its role as a constant source of energy. But what is convincing is its political role, from Cold War propaganda to gender politics, now explored by social activists, authors and researchers in economy, politics, religion, kinship, sexuality, gender identity and age.

1958

The kitchen debate

Nixon and Khrushchev argued about more than appliances: both saw the modern kitchen as political symbolism. Its technology spoke for the system that produced it.

Interwar

The Frankfurt kitchen

A European modernist kitchen, later exported to Turkey when its designer fled the Nazis. It was so innovative that a British state-subsidised design was mistaken for a luxury American product.

Today

Backstage

Erving Goffman reads social life as theatre. Many roles need a backstage to get into costume, organise props and recover: the kitchen, the locker room, the break room, the teachers’ lounge.

Now

Whose kitchen?

Researchers ask what the domestic kitchen means for different lives, such as older lesbians in London in a study within “Transitions in Kitchen Living”.

Even at a party, they say, the real party is in the kitchen.

Sources: Ruth Oldenziel, Cold War Kitchen (2009). Sheila Peace, Transitions in Kitchen Living (2011). Annette Natow, In Control in Your Kitchen (1991).

The kitchen, cooking

Six plates from one kitchen.

50minutes
8ingredients
6courses
1kitchen

A culinary experiment with a multi-level dinner, a movement canvas and a lighting palette: an experiential sequence of food and drink in a performative, social-aesthetic setting.

  • Mushroom cappuccino
  • Red pepper with fresh cheese
  • Bean salad with quail eggs
  • Beef fillet
  • Carrot pumpkin truffles
  • Mushroom ice cream

AAP Städelschule · 2015–2016

Three projects, one thread: food.

Made in the Architecture and Aesthetic Practice class: a thesis, a feast and a pair of essays that follow the same ingredients.